In Untitled (2004-05) interactive video projection, the artist returns to using her body and digitally duplicating it, complicating the relationship of agency - between the artist, the subject of the work and the onlooker who becomes an active participant of the artwork. Seven life size characters are projected on the wall with a text running on the floor. While the figures are all the same, they are dressed differently in camouflage clothing which the artist found appearing in fashion stores in her neighbourhood. Via mouse -click, the viewer selects a leader, whose actions are followed by the rest.

Made against the background of the US led War on Terror campaign and the popular polarisation and consent that was generated, the work mimics the orders of patriarchy, the market and militarism. When the procedures of everyday life are repeated, an unconscious mathematical rhythm is brought about that structures space, time and, most pertinently, emotions. Writes Paul Sternberger, "The work sparks a controlled digital dialog between the viewer and seven moving images of the artist wearing various stereotypical uniforms and costumes made from camouflage cloth. Voyeuristic manipulation of sexualized types and the stylized militarism of camouflage as fashion merge into an elaborate exploration of cultural and individual identity in the hands of an active viewer. Gupta further complicates the viewer / artist interaction and role playing. The game-like point-and-click interface gives the viewer more of an illusion of control than actual control of the marching, squatting, shooting figures and barrage of scrolling textual demands. By relinquishing less power to the viewer than it might at first seem, the artist encourages viewers to reflect not simply upon the artist's identity and agency, but also on their own."