1992
Every component of a painting, be it form or colour, in a way gets transformed into space. That is to say that they (the components) get synthesized with the homogenous visual result of the painting-space. In the process of such transformation, colour or form gets detached from its restricted 'actual-meaning-context'. And, from this alone, the visual result of the painting in totality is born. In my paintings such 'result', I feel is abstract.
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